Roy and Clara are newlyweds. Roy is caught in a huge financial struggle and Clara is pissed at him for being irresponsible.
Cast & Crew
Director: Soumya Sandandan
Actor: Kunchacko Boban, Nimisha Sajayan, Salim Kumar, Soubin Shahir, Alencier Ley Lopez, Vijayaraghavan, Leona Lishoy, Kochu Preman
Release Date: 20 Sep, 2018
Mangalyam Thanthunanena (2018) Malayalam Review:
Though Soumya Sadanandan’s debut directorial Mangalyam Thanthunanena has at its core the story of AN feckless husband UN agency is butter-fingered in handling cash, one gets to check visual representations of those non-jokes on the ‘nagging wife’ besprent at some point of the film. In fact, the marriage, that opens the film begins with the soon-to-be-husband wanting straight at a picture of Christ carrying the cross, accompanied with background music hints, as they exchange wedding vows. Roy (Kunchakko Boban) loses his job within the Mideast shortly once his wedding to Clara (Nimisha Sajayan). although Clara is from a chic family that runs a personal bank, he’s too egocentric to require up employment offered by the male parent. He prefers instead to pledge or sell his wife’s jewelry to repay the large loans that he has availed, whereas creating hardly any conceive to realize employment by himself. issues turn up between them once she refuses to produce any further jewelry to be pledged.
The entire film plays out like AN endless repetition of some scenes — of Roy asking her for jewelry, she refusing it, them fighting, Roy approaching his friend Shamsu (Hareesh Kanaran) UN agency provides him with a plan that is destined to fail and back to requesting jewelry. quite few scenes happen at a bridge wherever Roy and his friends meet. Whenever he gets out of the house, his mother asks him, as if reading the mind of the audience, “Must be heading to the bridge, right?”
The script, written by Tony Madathil, is just too skinny to sustain interest for 2 hours. there’s a transparent conceive to maintain a lighter mood throughout, the jokes ar all stale, hardly evoking any laughter. although the film partially redeems itself within the message that it conveys within the finish, the film until then incorporates a patriarchal male tone thereto. this can be particularly unsatisfactory, because the film is helmed by a girl producer, UN agency had won accolades for her documentary work.
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